anika mari

So many ideas popped into my head for the Heavy Metal theme from the Creativity Boot Camp. All of them involved actual metal things, from anchors, to gears, to jewelry. Perhaps all obvious interpretations of the theme, but at this point I’ve decided to be more committed to the process than to having a unique idea for a jumping off point. With a little luck, in the process of creating the drawing, perhaps something unexpected will evolve, as I’m happy to say happened as I was working on this theme.

I decided to go with chain as the imagery for this drawing. Luckily I live in a house that literally has everything, so when I needed chain, I got chain. I found a big bucket full of various weights and styles. Some was really rusty and some was super shiny. I settled on one in the middle; a heavy weight chain that was a little weathered, but still had some shine.

As I was working I decided to flatten the drawing, and not focus on the shading. The fact that it was a bit shiny comes into play later. The first step was to get the outline of the shapes in place.

I had to really push the contrast of the image so the lines were visible, so it’s a bit grittier than it really was. The most fascinating thing I experienced when drawing the chain was how the shapes and lines intersected in unexpected ways. When it comes to certain shapes, like chain, I have an idea of how it’s put together, and if I didn’t actually look at real chain, I would draw it in an entirely different manner. Working from the real thing, I was able to take my time and examine how a bundle of chain really looks. I guess that’s the fun part of all drawing, but I found it particularly satisfying with this subject.

Originally I thought I’d use gray marker and do some shading to bring out the shapes and show the depth of the chain, but after I had the outlines set, I remembered that I had some metallic pens. Now I’m thinking gold would have been fun to use, but at the time I only considered silver.

The silver marker was very opaque, so it covered over all of my faint graphite lines. I admit I was surprised by how different the pattern looked without the defining outlines that showed the individual links. I could still tell it was chain, but it was so much less obvious. I liked the flatness, but I really wanted to see the shapes of the links in the chain, so I re-drew the outlines.

I’m amazed by how different it looks with just a few slightly darker lines. At this point all I had left was the background and I was torn between using a bright hot pink and a dark gun metal gray. I went with the pink.

The scan is definitely a lot more muted than the original. In person the silver is incredibly shiny and the pink is super bright, bordering on florescent, and the combination of the two almost makes the drawing unsettling look at. I decided to use photoshop to adjust the colors a bit to see what it might have looked like with the gray background.

Since I don’t know what the gray would have actually looked like next to the overly shiny silver, I’m not really sure which I like better. Do you have a favorite?

As I was working on the chain drawing, one of the things I started to think about was the shininess of the metal, and how in general, that’s an inherent quality of metal. I took a moment to look at the chain differently, focusing only on the highlights. That’s when I had the idea to draw a version of only the highlights.

Again, I had to boost the contrast a lot to get the outlines to show up. I decided to forgo the silver, and instead use the gun metal gray I’d thought about using for the background of the first chain drawing.

When coloring in a background of a pattern with prismacolor markers, I have to work as fast as possible to achieve a smooth finish. If the “edge” of the marker line dries, and you color over it again, that edge will show through. As long as you can keep the edge “wet,” you can blend the color and avoid variations in tone.

It’s hard enough to achieve this with larger patterns, and I found that with such small shapes scattered all over the paper, the task was almost impossible. Not to mention the fact that by working so fast, I wasn’t as careful as I should have been around the white shapes, and ended up losing some of the detail.

After trying, for a few minutes, to make the background smooth, I noticed that an uneven background would actually compliment the jagged shapes pretty nicely. I slowed down a bit, and stopped attempting to get a perfectly smooth background, which probably would have been nearly impossible anyway.

I’m very pleased with how both drawings turned out. The pink and silver chain drawing is a fun, bright pattern that was very satisfying to work on. The mottled background of the highlights drawing was the perfect solution, and I’m happy that as I was working on the theme, I did indeed come to a unique solution with unexpected results.

The next theme is “grow,” but I’m not sure I’ll have time to work on it today. Lots of other Sunday stuff to do. So much for getting caught up over the weekend. I’ll just keep working at it, slowly but surely.

After working hard to finish up a series of four drawings for my sister-in-law before her new baby arrived (incidentally I have four posts waiting to be published about each of the four drawings, but I forgot to get images of the final drawings before I gave them to my sister-in-law! oops!), I decided to start loosely sketching again. I drew a big flower in the middle of the page of my new sketchbook, and thought, “big surprise. you never draw flowers.” Instead of abandoning the page to draw something else, I decided that I’d make a pattern out of it.

I usually just draw to and off the edge of the page, but the shapes and lines always tend to get a little wonky near the edges. I need to practice imagining what the shape looks like, where it is positioned (even if that would be mostly off the page) and how the parts that carry over to the page would be drawn.

Instead of doing that, however, I decided to create a seamlessly tiled pattern. I took the page out of my sketch book, cut the paper into quarters and rearranged it so the edges became the inside. Then I finished the drawing.

You can see how the cuts come together in the center of the image, which were originally the outer edges of the intact piece of paper. I scanned this image in, tiled it in photoshop and then added some gray color to the background. The gray flooded some of the petals, but I like how that looks. A little off, a little unpredictable–adds some interest.

I’m not sure it’s all that obvious in the image above, but the pattern is not perfectly tiled. The edges didn’t quite meet up, but they were close enough, and really I just consider this a sketch anyway.

When working on the next two patterns, I followed the exact same process, and in the end, the tiling was even more off. So much so that it was really obvious that the edges didn’t meet up at all. I put my thinking cap on, and a clear solution hit me. I removed the tape from the paper and rearranged it so that it fit together as the original piece of paper would.

As precise as I tried to be when cutting the lines, I figured they must have been a little off, and if they aren’t perfectly square, it would make sense that it would be harder to tile the pattern. With the pieces back in their original configuration, at least I had the original straight edges to work with. Oddly, it still wasn’t perfect, but it was much better

I worked in similar styles for the two patterns. One pattern has a horizontal composition, and the other is more of a mesh pattern, but both include similar shapes and line quality. After I had the black and white line drawings cropped as accurately as I could, I added some color to each. For the horizontal pattern, I added two tones of a dark red, and for the mesh drawing, I added muted turquoise blues. Then I tiled them to see the result.

I’ve been drawing a lot lately with a focus on precision, so it was fun to work in a looser style. These patterns really evolved as I was working on them, and I didn’t know what i was going to end up with until they were done.

The biggest challenge was getting the tiling to line up well, but I’m not sure computer precision will ever be realistic when working with hand made drawings. However, if I spend a little more time in photoshop, I know I can tweak the lines here and there to get everything to line up perfectly. I’ll try that out when I make my next patterns.

In my last post I shared some drawings I’d done, but only the outlines. I went ahead and colored in a few of the images with Prismacolor markers.

First I colored the Fishies Under the Sea Drawing with blues and greens.

I’m particularly happy with how the waves turned out.

Next I used only green markers on the more simple waves-only drawing.

I love these two greens together. I was also really happy with how the light green “sky” turned out. Because the marker is starting to run dry, it’s “juicier” when I first start drawing, which lets me slowly build up color when it doesn’t have as much ink flowing, so I was able to achieve a nice gradient.

As I added color to the “lightning bug” pattern, I intended to fill in the whole thing, but I really liked how it looked after just coloring in a few of the shapes, so I left it that way.

I also drew a few new patterns, and I colored the next one in before scanning in the outline, which wasn’t that exciting.

I am really liking multi-color palettes lately, including this one. I managed to avoid using yellow. I think it’s a little more interesting when you leave at least one color out when using many colors.

Usually I dive right in and add color to my drawings, but I wanted to get digital scans of the line drawings so I can try out different color combinations. I’m working on a little project for my brother James and his wife Rachel (a few drawings for their daughter’s nursery), and I’m not exactly sure what kind of colors they want to use in the room. I might try my hand at digitally coloring them, but if I have the black and white digital files, I can always print them out and color them with markers, not unlike a coloring book.

I’m still not sure of the direction where I’m taking the drawings. James and Rachel picked out a few drawings of mine that they liked, but it wasn’t clear to me how to make a cohesive group of four images, so I’ve been fleshing out some drawings, and coming up with new ideas.

I worked a little more on the “Heart Flowers” drawing.

I think the little bees are so cute!

I think the stems of the flowers need to be a little longer in proportion to the grass, but I like where it’s heading. The clouds are similar to some of the cloud drawings I’ve been working on (see below), which might work or might not depending on what happens with the other drawings.

From the original clouds drawing, I made the composition more like a landscape, which matches the heart flowers drawing a little better. I used the rain texture from another raincloud drawing.

It seems a little overworked to me, so I next tried a more simplified approach.

I think the rain could be “lightened up” a bit, but I really love the clouds.

With the landscape idea in mind, I tried to figure out another image to draw. The ocean came to mind, and I drew some waves that were inspired by the cloud texture.

The waves on the bottom didn’t leave much room for anything, except for maybe some clouds, which didn’t seem too exciting to me. I thought it would be cute to work in some little fish, so I drew another set of waves, this time toward the top of the paper.

I got in the swing of things after drawing so much, and I came up with a new pattern.

I think it’s really cute, and reminds me of lightning bugs, which would fit in with the nature-theme of the nursery, so maybe there’s a way to work them in? Who knows! Things are still a little scattered, but I’m sure I’ll get there eventually, and I’m having fun doing it!

I’ve been keeping up some momentum with drawing. This makes me very happy.

My art has a way of communicating with me. When something is complete, I definitely know it. When it’s missing something, that becomes equally obvious to me. Sometimes I think I’m done with a piece, but then over the following days it still tugs at me. Eventually I’ll realize what a piece needs to be finally finished.

I did this first drawing, and after coloring in a light gray brown and blue, I really thought it was complete.

It wasn’t.

I kept looking at it over the next days. I really liked it, but it gave me an empty feeling whenever I looked at it. It needed something more. Another blue.

The addition of the lighter blue did it for me. In my eyes it went from “good” to “yes!”. I love it when art says “yes!”.

Here’s another that I initially thought was done:

It isn’t.

I’ve been sitting with it for a few days, and I’m definitely being drawn to add something more. In this case, I’m pretty sure I’m going to add some line work for texture.

I’ll post the results when it’s done.