anika mari

I’ve finally picked up where I left off with the Creativity Boot Camp. Drizzle was the next theme on the list, and the main thing I thought of was rain, perhaps because we really need some here! Our grass has given up and is now brownish yellow and crunches underfoot.

But I digress. For the “drizzle” theme, I drew rain drops in the soothing colors of light gray, grayish green and grayish blue. So far this was the quickest drawing I’ve done for the boot camp. It’s simple but I quite like it.

Maybe it’ll help bring some real rain!

I was able to finish up the next Creativity Boot Camp theme, ornament, over the weekend.

When I thought about the meaning of ornament, I considered it to be decoration that is added to some surface that might otherwise be plain, purely for aesthetic purposes.

A few possibilities came to mind, but I liked the idea of ornamental tiles. Little ceramic slabs can be quite plain without some decoration. Indeed many times they are, but in some traditions they decorate the heck out of them. Talavera tiles are one style that I admire quite a lot, that I’ve taken inspiration from when creating a previous design.

Although making a tile pattern isn’t something new for me, I wanted to create a more intricate design. I chose a monochromatic blue on white color scheme, inspired by the ubiquitous blue and white porcelain designs. I’m often amazed at the level of detail artisans are able to achieve using only one color, so I took the one color approach as my jumping off point.

I did the outline first, as I often do, and scanned it so I could re-color the tile if the blue didn’t look as good as I hoped. You might notice that in the center medallion, each of the four “leaves” are a slightly different design. I penciled in each one, intending to choose a favorite to repeat, but I liked them all, so decided to leave them as they are. In a way this could serve as a “sampler” tile. With the designs worked out here, I might just have to make 4 different tiles using each of the different leaves.

Once the outlines were in place, I added a few shades of blue prismacolor marker for extra depth and interest.

Although I might have had a moment’s doubt that prompted me to scan in the outlines only, I am very happy with the all-blue tile. Now if only I had some actual tiles to ornament!

By now the Creativity Boot Camp is officially over, but I’m going to finish up on my own anyway. Only five more themes left, and the next one is “drizzle”. I have two ideas at the moment, and I’m not sure which way I’ll take it, but I’ll figure it out soon.

I had a hard time coming up with viable ideas for the “fluid” theme for the Creativity Boot Camp. Initially I had an idea to some how use flowing hair, but the more I worked on that idea, the less I liked how it was looking.

In the end I went with water. Water is one of my favorite things, so I don’t even mind that it’s obvious. Once I’d settled on an idea, the rest went pretty quickly.

To start, I actually took inspiration from an old drawing of mine of green waves.

I liked the loops of the waves, but I changed my approach to make the drawing more fluid.

The lines were drawn with pencil instead of pen to keep the contrast low. I only darkening a few of them strategically. I also used a more fluid and elongated stroke. When I had the lines in place, I wasn’t entirely sure what I’d do for the colors, but as I was working I decided to go with a soft and subtle color palette.

This isn’t the most complicated piece of art I’ve ever created, and I really don’t have a lot to say about it. It was just an easy, relaxing drawing, and it’s pretty nice to make one of those once in a while. I think it looks quite serene. Plus, it didn’t take too long, and I only drew one drawing for this theme–all things that make me happy.

The next theme is “fly” which I hope to work on tomorrow if I can find the time.

I had to spend a couple of days working intently on a web design project, but today I had some time to get back to the Creativity Boot Camp themes, and I finished up a drawing for the theme, “grow”.

This is the first year I’ve really paid attention to how seeds grow into plants, and I was amazed to discover that the first pair of leaves that sprout up are practically identical for all plants, and that it’s the second set of leaves that are unique to the variety. I was completely charmed by the miniature leaves, and kept exclaiming deeply insightful gems such as, “wow these little chard leaves look just like big chard leaves, only tiny!” and “look at these mini-parsley leaves! you can really tell that it’s parsley!”

Although you might not have guessed it from those excited comments, I do know a thing or two about plants and gardening. I find it completely fantastic that I can still be surprised and learn new things.

When the theme of “grow” came up, the first idea that sprang to mind was to represent my new discovery, so it was just a matter of having the time to do it.

I first drew the little plants in pencil, outlined them in black, and then filled in the leaves with various shades of green.

Shown are swiss chard, parsley, nasturtium, and basil seedlings. After scanning in the drawing, it seemed too flat, so I added some details to the leaves.

Adding detail was a good call since it makes the plants a whole lot easier to identify in the drawing, at least in my mind. I briefly thought about filling a pen with white ink to draw the lines on the nasturtium, but the desire to just get it done won out.

At some point I realized that the drawing was perfect for a repeat pattern, and it was more than halfway there already. In Photoshop the only adjustment I had to make was to the positioning of some of the individual plants in order to get the repeated pattern to look balanced.

I repeated the pattern once more to get an idea of what it would look like smaller.

I’m very happy with the result, especially since I didn’t specifically set out to make a pattern, but to simply draw my interpretation of “grow”. In the drawing itself, I’m most satisfied with the swiss chard. I think the basil and parsley could be a little better, but they are ok for now.

I’m looking forward to working on the next theme which is “fluid”. I have a couple of ideas, but I’m not totally sure about which direction I’m going to take just yet.

So many ideas popped into my head for the Heavy Metal theme from the Creativity Boot Camp. All of them involved actual metal things, from anchors, to gears, to jewelry. Perhaps all obvious interpretations of the theme, but at this point I’ve decided to be more committed to the process than to having a unique idea for a jumping off point. With a little luck, in the process of creating the drawing, perhaps something unexpected will evolve, as I’m happy to say happened as I was working on this theme.

I decided to go with chain as the imagery for this drawing. Luckily I live in a house that literally has everything, so when I needed chain, I got chain. I found a big bucket full of various weights and styles. Some was really rusty and some was super shiny. I settled on one in the middle; a heavy weight chain that was a little weathered, but still had some shine.

As I was working I decided to flatten the drawing, and not focus on the shading. The fact that it was a bit shiny comes into play later. The first step was to get the outline of the shapes in place.

I had to really push the contrast of the image so the lines were visible, so it’s a bit grittier than it really was. The most fascinating thing I experienced when drawing the chain was how the shapes and lines intersected in unexpected ways. When it comes to certain shapes, like chain, I have an idea of how it’s put together, and if I didn’t actually look at real chain, I would draw it in an entirely different manner. Working from the real thing, I was able to take my time and examine how a bundle of chain really looks. I guess that’s the fun part of all drawing, but I found it particularly satisfying with this subject.

Originally I thought I’d use gray marker and do some shading to bring out the shapes and show the depth of the chain, but after I had the outlines set, I remembered that I had some metallic pens. Now I’m thinking gold would have been fun to use, but at the time I only considered silver.

The silver marker was very opaque, so it covered over all of my faint graphite lines. I admit I was surprised by how different the pattern looked without the defining outlines that showed the individual links. I could still tell it was chain, but it was so much less obvious. I liked the flatness, but I really wanted to see the shapes of the links in the chain, so I re-drew the outlines.

I’m amazed by how different it looks with just a few slightly darker lines. At this point all I had left was the background and I was torn between using a bright hot pink and a dark gun metal gray. I went with the pink.

The scan is definitely a lot more muted than the original. In person the silver is incredibly shiny and the pink is super bright, bordering on florescent, and the combination of the two almost makes the drawing unsettling look at. I decided to use photoshop to adjust the colors a bit to see what it might have looked like with the gray background.

Since I don’t know what the gray would have actually looked like next to the overly shiny silver, I’m not really sure which I like better. Do you have a favorite?

As I was working on the chain drawing, one of the things I started to think about was the shininess of the metal, and how in general, that’s an inherent quality of metal. I took a moment to look at the chain differently, focusing only on the highlights. That’s when I had the idea to draw a version of only the highlights.

Again, I had to boost the contrast a lot to get the outlines to show up. I decided to forgo the silver, and instead use the gun metal gray I’d thought about using for the background of the first chain drawing.

When coloring in a background of a pattern with prismacolor markers, I have to work as fast as possible to achieve a smooth finish. If the “edge” of the marker line dries, and you color over it again, that edge will show through. As long as you can keep the edge “wet,” you can blend the color and avoid variations in tone.

It’s hard enough to achieve this with larger patterns, and I found that with such small shapes scattered all over the paper, the task was almost impossible. Not to mention the fact that by working so fast, I wasn’t as careful as I should have been around the white shapes, and ended up losing some of the detail.

After trying, for a few minutes, to make the background smooth, I noticed that an uneven background would actually compliment the jagged shapes pretty nicely. I slowed down a bit, and stopped attempting to get a perfectly smooth background, which probably would have been nearly impossible anyway.

I’m very pleased with how both drawings turned out. The pink and silver chain drawing is a fun, bright pattern that was very satisfying to work on. The mottled background of the highlights drawing was the perfect solution, and I’m happy that as I was working on the theme, I did indeed come to a unique solution with unexpected results.

The next theme is “grow,” but I’m not sure I’ll have time to work on it today. Lots of other Sunday stuff to do. So much for getting caught up over the weekend. I’ll just keep working at it, slowly but surely.